Top modern artists by Jean Arno? Born in Paris, raised in Bordeaux and Nice, South of France, Jean Arno’s poetry is influenced by French classicism and ancient Greek philosophy. Growing up in the house of renowned professors, since young age Jean was surrounded by the greatest figures in the world’s literature. Jean has studied philosophy and literature in Stanford University, which allowed him to develop his own style over a decade. With this new poetry book, Trophies, he is bringing back a sophisticated style and depth of the thought in form of short aphorisms. Jean is also producing digital art and philosophical pieces which complements his portfolio. See extra details at Jean Arno.
Everything that prevents the affirmation of the highest life and diminishes the power of being is criticized with passionate ardour: the temptation of fame and glory; the escape into entertainment and artificial paradises; the resignation and capitulation of thought in the face of today’s immense problems; the standardization of the spirit in the paradigm of common judgment; the passivity or the boredom-murderer who justifies the existence of reality TV, for example: “Crowds sate their hunger / Like hyenas seek revenge / On the torments and the terror / On the tears and blood of men”.
The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.
Trophies is a collection of poems intertwined with hidden messages where you will question the world, life, existence and yourself through an awakened intellectual experience. The book of poems is the latest work by French poet, philosophy and artist Jean Arno. Arno is an influential artist from the artistic group, Astrée and he’s known for his poetry, digital art and philosophical aphorisms. The poetic aphorisms in Trophies are short statements of eternal truths. While reading the book, you’re forced to use intellect to reconstruct a line of reasoning to interpret hidden meaning in Arno’s work. When readers unfold the purpose of these hidden thoughts, they’re left with the feeling of being enriched.
Artistic practices such as painting and music and my studies in literature and philosophy have undoubtedly had a major influence on my way of looking at the world and on my style. The rest of my life has been a succession of trips around the world to places like New Caledonia, Bulgaria, the USA, and England. I’ve had interesting encounters with pictorial and literary creations at the great universities of Oxford, Stanford, and Harvard, and also in the influential artistic circles of San Francisco, London, and New York. This diversity has fostered in me a more nuanced mind and more assertive values. See even more information at Jean Arno artist.
The game is worth the candle: new fragments appear when one manages to elucidate the mystery: “Every soul that darkness stirs up digs the world with such a stubbornness that chasms blossom with stars of unknown splendor.” When it is not the pleasure of the “game” or the Orphic enigma which carries away the heart of the reader, it is the philosophical accuracy of the subject (“In our reasons murmur/Mysteriously/the eloquent speeches/of our obscure passions”) and the symbolic and Parnassian beauty of the tamed verse: “In her eyes of sapphire / Full of light and clarity / Desires lose themselves / In avid immensity).” When one loves great literature and philosophy, one can only be conquered by this monument of splendor.