Best fashion events in 2022 with Hamza Qassim

Professional fashion events 2022 with Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. After the release of the brand’s collection, Qassim started gaining more attention from the Fashion Industry in Jordan, and started modeling for multiple known brands in the region, like Moustache, He was seen modeling for their SS2021 prêt-à-porter Collection, after that, photoshoots with international Brands started coming Qassim’s way, like Fitella, (A US based brand).

Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”

Our cast of Versace Women for AW22 is exciting, Donatella Versace said of the show. Girls like Avanti, Anyier and Tilly perfectly represent a Versace with new generation attitude and they champion diversity. They embody the energy running through the collection and the looks built on contrast and tension — like an elastic band pulled tight and about to snap-back with a build-up of energy. That feeling is just irresistible to me. It opens new possibilities and makes things happen. For Moschino autumn/winter 2022, creative director Jeremy Scott looked into the archives, specifically, the 1989 and 1990 collections, which had seen Franco Moschino introduce cutlery brooches and hot-and-cold faucet handles as accents in his ready-to-wear. Scott used this as a base, and then found more inspiration in the stately home. A close to home feeling ensued, yet it became complemented by a study bordering on the unusual, if not the Kubrickian: If someone, or something, was tasked with creating the clone of a grand manor today, would baroque picture frames, stately armoires, grandfather clocks and crystal-dripped chandeliers still mark the trappings of a monied dwelling?

Hamza Qassim

Valentino landed the number two spot, after not ranking last season. What that tells us: There must be power in pink. Pierpaolo Piccioli’s exclusive use of eye-popping hot pink and black divided reviewers, but not Vogue Runway’s readers. Also: There’s definitely power in celebrity. A Zendaya sighting never hurts and the superstar made her only appearance of the season at Piccioli’s show. His Paris venue had screaming fans by the thousands outside to greet her, a site and sound reproduced over and over again this season, with Kim Kardashian turning up at Prada and Balenciaga, Julia Fox at Versace, and the resplendently pregnant Rihanna at Gucci, Off-White, and Christian Dior. Maria Grazia Chiuri’s Dior collection was our number-one most-viewed show of the season. She also had Blackpink’s Jisoo in the front row.

The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: The production of the clothing itself embodies the anguish of border separation. “In many cases, we have not even been able to meet many of the producers we work with in person,” Mjalli explains. And yet, the collective works alongside “an intimate creative network of Palestinians—from fabric vendors in Nablus, to embroiderers in Gaza, to tailors in Ramallah.” Meera Albaba, founder of the Meera Adnan label, makes intimate contemporary wear encompassing the geography and art of Palestine. She consistently seeks to amplify the voices of marginalized Palestinian people, and her garments seek to reclaim the Palestinian narrative. The silhouettes are romantic yet modern; her structured blazers and modest, straight-cut maxi-dresses, are made in a color palette reminiscent of the Palestinian landscape.