Bengal cotton sarees online provider right now: Red is the most favoured colour for wedding saris and is a traditional garment choice for brides in Indian culture. Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk saris are Banasari, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. are traditionally worn for festive and formal occasions. Find additional info on https://silkpetalss.com/product-category/sarees/bengal-cotton/.
Textiles, just like with everything else, will continue to evolve as time passes. However, a ‘revival’ needs to go beyond just a trend, and instead grow organically and sustain a momentum, says Garg, whose work on the Mashru fabric (a handwoven mix of cotton and silk) over the past decade has led to a revival of the textile. A handmade sari is a testament to the skill and creative genius of the mostly rural artisanal families that make them. Techniques and expertise have been passed down in these families from generation to generation over centuries. The more intricate silk saris take many weeks to make. A weaver of Kanjeevaram saris once who told me how he passes his blessings to the wearer of the saris he creates. He wishes the bride who wears it the strength of the elephants, the grace of a gazelle and a life of abundance represented by the trees, as he weaves each of these into his creations, says Kadam.
According to Chishti, there are more than one hundred ways to drape a sari depending on region, fabric, length and width of the garment, and what the wearer might be doing that day. She created a series of videos showcasing dozens of ways to tie one on. “The younger generation wants to be able to experiment with it, to wear it in various ways,” she says. Among the techniques for wearing a sari: the ubiquitous Nivi drape (pleated, wrapped around the waist, with the pallu (the embellished end of the garment) flung over the left shoulder); and the rural Dharampur drape, which cleverly transforms a long rectangle of material into knee-length bloomers. Most sari presentations require a choli (cropped top) and slender half petticoat, the latter often helps to anchor all that textile wrapping and fabric manipulation. Some sari folds need to be held with stitches or pins, others are more free form, like fabric origami for the body.
Hegemony and its many deleterious aspects include the shackling of thought processes. Thought processes are so sacred that they deny the colony the right to free thinking. Colonization has taken away our right to think in the context so innate and sacred to individuals—the right to express ourselves through the art of wearing. Therefore, there remains an urgent need to reverse this thinking through decolonization. Decolonization entails removing oppressive behaviors while assisting Indigenous peoples in reclaiming land, culture, language, community, family, history, and traditions that were taken away through the colonial process.
Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Read more info at https://silkpetalss.com/.
My fondest childhood memories were going sari shopping with my mother and grandmother. I was fascinated by the endless shelves piled with neatly folded, colourful saris, entertained by the salespeople, who were always men, unfolding and draping the whole sari on themselves, and educated by the haggling over the prices while countless cups of coffee were consumed. When Matthan received a gift of 47 Kanjeevaram silks from her ailing grandmother, she was inspired to start the 100sareepact, a social media movement, along with 52-year-old Anju Maudgal Kadam, which encourages women to wear saris and share their stories online.