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Separate your shadows and GI/AO layers within the compositor to adjust their colours: By default in Blender, shadows and GI are black. This doesn’t always give the best result. If you look at Pixar’s work, for example, the shadow is usually a darker, more saturated version of the diffuse colour. You can achieve this effect in the compositor by specifying your layer to output a separate GI and shadow pass. Use the Mix node set to multiply your shadow/GI with a colour of choice, them Mix that back into your render pass for best effect. We sometimes render a scene (Scene01) with no GI or shadows at all, and an identical copy of that same scene (Scene02) to get just the GI and shadows layers by themselves. Use the compositor back in Scene01 to composite those layers from Scene02, using the colour picker inside the Mix node set to Multiply or Add to achieve the shadow colour we need.
The right camera placement is essential for a great render. In my opinion moving the camera with the grab tool isn’t very intuitive and can be quite laborious. This is why I prefer to use the walk navigation. Go to View > Navigation > Walk Navigation to enable it. Now you can control the camera as if you were in a first person shooter and use the arrows or W, A, S and D keys to look around. To toggle the gravity simply use the Tab key. I recently came across Meshroom, an open-source photogrammetry software. Photogrammetry is a really cool technique to create 3D scans by taking photos from all around an object. Meshroom is 100% free and very intuitive to use. I had lots of fun during the last few weeks scanning various objects and using them to create realistic scenes in Blender.
Reference images will take you far. Once you’ve got your first few projects out of the way, however, you should try designing your own characters and objects. Hard surface modeling blueprints aren’t difficult to draw, especially if you have access to some sort of CAD drawing program. For more inspiration, we recommend researching industrial designs and emulating what you like. Creating a hard surface component from a CAD blueprint. Orthographic viewport displays offer your workflow many benefits: You’ll never lose yourself in perspective as you model or sculpt. They make the relationships between different parts of the model very clear. It’s easy to see when something is deviating from where it needs to be. You’ll always know exactly which axis you’re moving something along.
Proportional Edit can be set to many different Falloff types (shown by a rollout near the blue circle Proportional Edit button). Selecting Random will cause random translation, rotation and scaling of objects within the soft-selection region – useful for ‘messing up’ a scene to make it feel more organic. Since this trick works across all visible scene layers, put any objects that you don’t want to affect into a separate layer, then simply turn that layer off. To render, go to the machine you want to render from and set up your client by switching to Network Render and choosing Client from Network Settings. If you click the refresh button, the client should automatically find the master node. Read more information at https://3darts.org/.